Did this sketch of Anne Hathaway for some portrait practice. It's always interesting how big a difference it makes when one little line or curve is off when drawing someone. It can mean the difference between success and failure. It's even more important when drawing celebrities, since people are familiar with their faces and immediately sense that something is off. I've stared at this one too long to know if works or not...

Just finished this illustration for an article in Backpacker magazine, for a story about a man and his wife who narrowly escape a forest fire while kayaking in Minnesota. It was a fun one to experiment with perspective and dramatic lighting.

Two of my favorite frames from a recent storyboard job for a TV spot. I really enjoyed drawing the architecture of iconic locations, combined with dynamic figures.
I've been to that spot in Istanbul on the Bosphorus, so it was pretty cool to remember it as I drew.

A couple of frames from some recent storyboards I've worked on. I've been experimenting with different styles and levels of refinement in the boards I do. It's always a balance of being polished enough to show the client, and getting them done quickly and efficiently under a tight deadline.

It's been about a year now since completing my first comic ("Infected"). I wasn't totally pleased with it, as most of it was rushed and I never quite had time to take it to the level I wanted to. But, this seems to be the norm now in the storyboarding work that I do. Never enough time...

These are a few of the inks that I liked the best. I loved drawing the station wagon, seen below. It was based on the Family Truckster from National Lampoon's Vacation.